The other was a young priest. He wore the regulation Red Cross uniform, but kept his cassock hanging on a peg behind his bed. He had pretty frequent occasion to take it down. These small emergency hospitals, within range of the guns, were reserved for only dangerous cases: men whose wounds would not permit of their being carried further; and there never was much more than a sporting chance of saving them. They were always glad to find there was a priest among the staff. Often it was the first question they would ask on being lifted out of the ambulance. Even those who professed to no religion seemed comforted by the idea. He went by the title of “Monsieur le Prêtre:” Joan never learned his name. It was he who had laid out the little cemetery on the opposite side of the village street. It had once been an orchard, and some of the trees were still standing. In the centre, rising out of a pile of rockwork, he had placed a crucifix that had been found upon the roadside and had surrounded it with flowers. It formed the one bright spot of colour in the village; and at night time, when all other sounds were hushed, the iron wreaths upon its little crosses, swaying against one another in the wind, would make a low, clear, tinkling music. Joan would sometimes lie awake listening to it. In some way she could not explain it always brought the thought of children to her mind. There came a day in early spring. All night long the guns had never ceased. It sounded like the tireless barking of ten thousand giant dogs. Behind the hills, the whole horizon, like a fiery circle, was ringed with flashing light. Shapeless forms, bent beneath burdens, passed in endless procession through the village. Masses of rushing men swept like shadowy phantoms through the fitfully-illumined darkness. Beneath that everlasting barking, Joan would hear, now the piercing wail of a child; now a clap of thunder that for the moment would drown all other sounds, followed by a faint, low, rumbling crash, like the shooting of coals into a cellar. The wounded on their beds lay with wide-open, terrified eyes, moving feverishly from side to side.!

“It doesn’t seem to answer,” grumbled Madge. “One is always told it is the artist—the brain worker, the very men who have these fine instincts, who are the most sexual.” “Do you really think she’ll get over it?” asked Madge. “Or is it one of those things one has to say?”

“What are you making?” asked Joan. “Don’t be so harsh with me,” pleaded Joan meekly. “I’m trying to think. Yes,” she continued, “decidedly he’s got brains.” “You know things when you love anybody,” explained the child. “You feel them. You will come again, soon?”